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CCP

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Posts posted by CCP

  1. From my blog this week, you can find my site in my Thaivisa member profile or by googling 'chromacomaphoto', thanks.

    A definite photographic change has been slowly afoot in Bangkok. The new retro-look camera seems to have been the catalyst for this change. At first I thought it might have just been my own imagination, or a false perception of mine in some way. Now I am decided, the newer cameras of a more vintage design have slowly taken back a previously built-in advantage to somebody shooting street here with an older film camera. I clearly recall up to around 2011 or so, my chrome and black Leica M6 classic occupied a lovely spot on the photographic equipment continuum. It almost seemed to be like a Germanic cloaking device for discreet image making. The typical reaction to it would vary but in general it would either elicit quaint smiles, indifference or simply no reaction whatsoever. Back then, as long as it wasn’t a large, matte black SLR/DSLR body with the usual long lens sporting a brightly lettered yellow or red corporate-branded camera strap…it was almost certain to be under everybody’s radar. Didn’t have to be a fancy-pants Leica of course, a black and chrome seventies SLR with a small lens on might also have faired similarly well but something about an old rangefinder in that classic look with a little patina here and there really got the job done.

    Then it all changed. Looking back I now have a clear memory of exactly when that tipping point was. Of course, as is so often the case with pivotal moments, you don’t see them for what they are at the time. Only in retrospect does the significance and detail play a part. I think it was in 2011, I was commuting by Bangkok skytrain. Arriving at my stop, I found myself in that less than completely comfortable purgatory state between not being as early as I would have liked for work and in danger of, but not quite yet, being late. As I walked hurriedly through the shopping mall that obstructed the route between the train and my place of work, I took a glance in the usual camera shop window and noticed something odd catching my eye. At first I thought the owner of the shop selling all the digital gear was just having some fun showing off his prized, boxed Leica M film camera on the shelf to add a certain sizzle and window dressing. I then took a closer look and saw a Fuji X100 for the first time; it was in a nice box lined with some kind of classy looking satin material. The material served as a beautiful way to contrast against what was increasingly likely to be a digital camera in front of my very eyes. The black, the brushed silver metal, the rangefinderesque windows on the front. An obvious rip off but very well executed. I viewed it without tension, trauma, hate or neurosis, which served as evidence of how right they got it from the start in identifying this new market. I had a hundred questions of course but the shop was closed and the clock was ticking against me.

    Later on, the full extent of what I had witnessed was revealed unto others and myself all over the web. The rest, as they say, is history. History is best defined as our sources of information combined with our expertise in processing them. I didn’t really process the information from the sighting of this thing very well at the time and now I can look back and see how this crept up on me. Fuji wrote history their way and much as I loathe the term ‘game changer’, in fairness… this might actually be one case where the hat fits. Anyone doubting that need only look as far as the veritable smorgasbord of small cameras in a chrome and black retro style that have since emerged over the past five years or so. Frankly, it has been a little hard to keep up, even for the camera geeks. It now seems as though any Thai kid who feels the need to have a photographic device in addition to their smartphone (admittedly a shrinking group but that might best be reserved as a topic for another day) is brandishing such a camera style. There was a strong ‘you better have a big DSLR on your person at all times to look like a pro or you ain’t s*#@t’ movement prevalent in Bangkok that was truly hard not to notice in recent years. Kids taking pictures of the food they are about to eat in restaurants using full sized pro Nikon D digital bodies designed for professional sports photographers was something that I personally witnessed many times. However, it seems as though many of its adherents have now become turncoats, crossing over to salute the new flag of smaller, often mirror less black and chrome kit. Just a perfect match for ripped skinny jeans, large square-fronted baseball caps and a cool T-shirt whose English meaning might not be completely understood by them as they wear it.

    Of course, ultimately I am happy that so many young people now love buying cameras and that they dig the retro vibes. I even believe that history has in some extreme cases come full circle. Some young people who have used modern retro-looking cameras have found them to be a gateway drug for actually buying some of the real old film cameras upon which their digital descendants were based. To be fair, it isn’t just the young ‘uns. This is a photographic paradigm shift that has occurred throughout the older demographic of camera carrying Thai people also. That can’t be a bad thing besides photography doesn’t need any more old men on lawns telling the kids to go and play in front of their own houses. I’m just grumpy to have lost that little edge. I am now forced to be more inventive with my approach for stealthy and innocent (preferably film) cameras capable of delivering excellent results on Bangkok streets. The TLR world via Rolleiflex is proving to be the perfect thumb in the dike for me presently. Of course, it is now so old and quaint that it can actually elicit compliments and conversations from the very strangers that I am trying to shoot, something of an own goal perhaps. Not to mention the appearance of the odd digital camera in a TLR style on the market here and there in recent times. Maybe five years from now every hipster will be ‘rocking a twin lens’ and they will be less incognito also. Still, Churchill said that ‘success consists of going from failure to failure without losing enthusiasm’, maybe I should just walk around Bangkok grinning like a maniac with an 8 x 10 camera on a huge wooden tripod and shoot with a large black cloth over my head like Meyerowitz.

    The hipsters would never cover their heads like that, nobody would be able to see how cool they were and I would be more camouflaged than ever. Mm, I might be on to something.

    CCP

  2. A very well written piece - thanks for contributing.

    Unlike others, I didn't interpret your post as a put-down. It's more like an observation of current social trends, and I wouldn't be surprised to see the same subtle points you made documented some years in the future by respected sociologists when looking back on changing social behaviors.

    Well done!

    Thanks, you certainly 'got it' and I agree with your comment completely.

  3. Hi, this was my weekly post from my site/blog about photography in Bangkok, Thailand so it also seems relevant here and I would like to share. If you would like to read further such musings or see galleries etc, you can either copy and paste the post name into google or see my Thaivisa profile for a link to my site.I don't want put an actual url in here and upset anyone.



    You might well have been there: Is my lens fast enough? It’s a symptomatic and worrying condition. It often starts with the purchase of nice lens, maybe even an excellent lens. All is well at first, you like the shots you have made, it has a beautiful signature and generally performs very well indeed. It’s like the start of a new relationship over those first few dates with a new flame. It’s all going well and things feel positively hunky dory. Then it starts to creep up on you, you find yourself poring over reviews of the ‘other lens’ from the same manufacturer which is only one stop faster but twice the price (or more). You start imagining the endless extra possibilities in your photography that this magical extra stop or two could give you. Image searches of this coveted slice of top glass on the net seem to only lead to what appear to be the best photos you have ever seen in that focal length before. Suddenly you find yourself fawning and pining for the new flame’s more attractive sibling and pangs of confusion and regret slowly start to emerge in your stomach. What is then seemingly hard to find on the internet during the throes of such a condition is what you probably need to hear the most: This is often completely irrelevant to taking and making great pictures in most places, especially in a bright and sunny clime such as Thailand.


    In the past I have suffered greatly from this condition, and almost always to my financial detriment. The Nikkor 85mm 1.8 was a really, really good lens but the 1.4 had a legendary status that eventually proved too formidable an opponent. The various 35 ‘Crons I have had seemed like greased lightning when at first acquired but I just could not go on without the word ‘Summilux’ in my life. Loved the Rolleiflex 3.5, but I ultimately had to get me some Zeiss 2.8 love. What I found in general is that, as with so many things in life, paying the extra massive premium just to get that very last upper percentile of a given performance factor is often simply not worth it. I’ll even go one further, in my case; I actually found it to be detrimental to my work. With really fast lenses (let’s assume primes for the sake of argument), the trade-off for the ultra fast end of things is typically that they are not always even in their high performance throughout the full aperture range. Some high-speed lenses are not as good stopped down as their contemporaries and, to add insult to injury, they are not guaranteed to be that hot when used wide open. Think in terms of a racing car, its engine built to a high level of tune with an aggressive cam profile, super big wheels with tiny profile racing tires that are really wide. It’s really good when on the cam and giving the highest engine speeds flying through chicanes on smooth race tracks but certainly not what you want when looking to steadily cruise or start/stop drive through traffic to the local store. It would also suck the proverbial appendage on a constant long-haul drive on varying road surfaces. What do you want it for? Ask yourself this and be truly honest about it. If you are only shooting in very low light conditions with this lens, well this would perhaps be akin to racing and redlining with the speed factor, maybe you really would benefit from the high state of tune of the fast glass designs. But if you are also shooting in daylight and under a range of different circumstances then you’ll be stopping her right down anyway. If you don’t then you’ll need to be allowing for the extra expense and hassle of ND filters and accepting any negative impact that they may possibly have on the lens that you bought for its high performance in the first place. In Bangkok, in the daytime, things are ridiculously bright, even on overcast days. Every single Leica 35mm I have ever owned (and that’s a few now) had to be stopped right down to a minimum of f8 or more when shooting outside pretty much any time after six thirty in the morning and before sunset. I would only use the wide-open capabilities of the ultra fast glass for maybe two half-hour periods during every twenty-four hours, unless I was a big night shooter, which I tend not to be in general. The other twenty three hours of the day, my glass would not only be just fine, but perhaps even better than the faster option. That assumes using film and Tri X at ISO 400. Yes, I could use slower film but I prefer not to. I have noted that at these apertures, in real life usage, all of these lenses looked very similar and equally fantastic. In fact, the cheapest one I have ever owned is the old-school brass and chrome 35mm Summaron 2.8 and I think I like the look of this over all the others (including ‘crons and lux’s of a similar vintage) during the daytime. It’s also very small and handling is among the very best of any lens I have ever used on any camera.


    How I used to love my 35 ‘lux pre-asph. I have even bought (and subsequently sold) two of them. I have learned that lenses are like jobs and relationships, once it’s over and you’ve left, you should never go back and try again. It’s never as good, and if it had been that good, you probably wouldn’t have left. The Canadian made lux’s form factor, its speed and handling were all sublime. Yet in all honesty though, wide open it was a real crapshoot and the frames came out with lotto scratch card like odds, all over the place in low-light, even down another stop and it wasn’t always gravy. I’m picking an unfair example perhaps as this lens is well known for being a handful when wide open but it’s a common enough trait applicable to many fast primes. With my lux, Ninety-five percent of the time I was at f2 or more anyway and at such apertures, it wasn’t any better than the rest. Good glass is expensive and decisions need to made accordingly, if it’s to be a monogamous relationship, if she will truly be your one and only, then get something that works well as an-all rounder and is easy to live with. Highly fast lenses can be fussy prima Donnas, for real life you want an Emma or a Debbie instead. For film users, pushing your film a couple of stops or using a faster film will still get the baby bathed. Night photography is all about the shadows and darks anyway, when using super fast film at night, it can just look like daytime shots and I personally don’t much care for that. I think I prefer Tri X pushed a couple of stops than super fast night films anyway. Point being, you have low-light options for nice results that don’t mean selling a kidney. If you’re on digital, I really don’t see the need for speed these days with such great low light performing sensors abound in so many different camera types.


    If you are still not convinced, perhaps at least look at systems where the faster options are still reasonably affordable, Leicaland is not a nice place to be for those with a speed habit of Walter White customer proportions and limited funding. Nikon is not a bad brand in this regard as their reverse lens to body compatibility is nearly as good as Leica and this means that many examples of manual-focus faster lenses can be had for fair money, on account of their age.


    Mine is not to suggest that all fast glass is to be avoided per se or that all such lenses are inherently bad performers across the board. There are many good all-rounders that also happen to be on the faster end of things, I’m merely advising against the perils of assuming that faster always means better. It often simply isn’t the case.


    Voltaire said that “Perfect is the enemy of the good”. With modern lens designs and manufacturing, this can even be the very good. Be honest with yourself and be practical, all modern lenses are likely way better at their job than we are as photographers. Will you really out shoot your glass? Look at what the masters did with the limited lenses of decades past. Think most bang for your Thai baht and have some sympathy for your bank account in these frugal times. You’ll feel great getting the best shots ever ‘despite’ the lens rather than ‘because’ of it. It’s honestly mostly nonsense if you really think about it. Just because there are no speed limits on the road to photographic success, doesn’t mean you have to drive down it the fastest.


    CCP


  4. Hi CCP,

    Welcome to the Forum by the way. wai.gif

    Sadly our members missed that part, shame on them. tongue.png

    Hard to read as the font is not black.coffee1.gif So did not even bother to try and read it. cool.png

    However your pinned one, I will read it as it is in black. whistling.gif

    Welcome once again and please keep it in black the font and photos is full colour.facepalm.gif

    Win thumbsup.gif

    Thanks for the welcome Win, it's been changed to black now. I copied it from my website and the colour got changed somehow. Full colour photos might be a bit harder for me though.smile.png

  5. They are probably just practicing for the day in which taking photos of others is not allowed....

    oooops that has already come in the west hasn't it.

    Yes perhaps it might have, in some places at least. I have noticed in some countries though that anywhere there are 'no photo' signs, it seems as though selfies are often something that a blind eye is turned to. Not saying that's a good thing or a bad thing, just an observation. There's a definite difference in reaction and perhaps regulation between a photo taken with a more serious looking camera and somebody perceived as snapshotting or taking a selfie with a smartphone, even though smartphone cameras are sometimes just as capable in their own right.

  6. An enjoyable read,thanks for sharing it with us!

    Smart phones,wonderful creations.They are like a Swiss army knife for photographers.

    'Selfies',.......hmmmm each to their own, I suppose.Personally I would much rather look through the lens,than point it at myself!

    Edit.....A link can be found at the bottom of the CCP's post in rangefinder,well worth a look,in my opinion.I especially like the

    'THAIRICHPOORTHAI' images.

    Just a thought, add the website link to your Thaivisa personal profile page?

    Thanks Shaggy. glad you like 'thairichpoortthai'. The idea had been in my head for years but I could never quite get the concept right. Truth is, it was a bit of a pig to do as multiple exposures on old film cameras are not the easiest, very low keeper ratio and took me a while. I was surprised as I somehow remembered it as being a bit easier. I didn't really set out to do a 100% purely film site/blog, although it certainly has gone that way. I'll no doubt add some work shot on digital cameras as time goes on.

    If you say it's okay to add a website link to my profile, I shall probably follow your advice, thanks.

  7. It used to drive me crazy, my wife would take masses of photos and selfies. Every meal in a restaurant and some at home (she's a great cook) are photo'd - then one day I read an article in a newspaper that went some went to explain it. Basically it's an existential thing, she can now with Facebook and Line show her friends what she is doing and enjoying.

    I still find it mildly irritating but have basically come to terms with this modern phenomenon.

    Yes, 'come to terms with it' would perhaps best describe it for me also.

  8. Nicely written. I found the same post on the Rangefinder Forum - but not your photos?

    But I have a different view of the events you observed.

    I know it's a cliché - but we do live in a connected world. I have friends in UK, US, India, New Zealand and throughout most of Asia. I see these friends perhaps twice a year. I also have friends in Thailand and I see them most days.

    So when any of us get together for food, events or just a chat, we'll start the proceedings with a bit of posting to our mutual friends overseas.

    And these post need to be current. We live in the now - not the 'week ago' of the old airmail days or even the 20 minutes ago of the telegram or fax. I like to see what my friends are up to now, not what they did three days ago. If the posting from a friend is really wild, I may contact them direct via Skype, WhatsApp or Line for a chat.

    It's all part of the 'current-cy' of living in the present.

    The best restaurants understand this culture, and they develop dishes that look good as well as taste good, knowing that we'll post images on Facebook giving them some free marketing.

    As a film user you appreciate different values. The considered setting of a manual camera, the cerebral skills required to predict the results of your work, without the benefit of 'chimping' on a screen to get immediate feedback. I admire you for these skills, but your choices are not in any way superior to the people who, like me, decide to live in an immersive, multicultural, multi time zone world.

    I enjoy sharing my meal with more than just the friends who happen to be in the same room, I like to make my distant friends and relatives feel included in social gatherings by sending a contemporaneous message, I enjoy using 21st century tools to sustain my friendships on a global scale, bridging time zones, cultures and generations. I also enjoy photography, which is my camera can connect to my phone so I can download and share quality shots of my food. smile.png

    And I would no more look down on the selfie posters than on film users. Both are using tools to communicate beyond speech and gesture, both have left the cave and are embracing technology to develop wider social networks than would be possible without the tools, and ironically in this case, both are using the internet to communicate their thoughts beyond their immediate peers.

    Thanks very much for your considered reply. Very well put. You might be surprised to learn that I pretty much agree with you entirely. It was all ever so slightly tongue in cheek and I certainly didn't mean to imply any superiority or looking down my nose at them. You never know how people read something that they find, to be fair of course... the reader doesn't know how the writer intended it. This is due to the lack of para-linguistic features when not having a face to face conversation in the real world I suppose. They were happy, I'm pretty sure. You probably don't need to convince me of the digital real time arguments, we're on an internet forum after all. It's just a 'sign of the times' blog post of how weird I find it, I know some don't but I do. I think that's all really. I do sometimes shoot with a digital camera as well, although I can't deny that my preference is for film. Agree with all your points about the benefits of sharing with friends in real time etc, a fairly large percentage of people on here will likely be living a long away from their homelands and so that gives us an added perspective of course. Thanks again for what you wrote I enjoyed it.

  9. Another great post; thanks.

    For those out in the sticks, there is a seller on eBay called Films-Festival and he has a very wide range of film; and is based in Bangkok. He prices include delivery anywhere in the world, but if you contact him he will give you a price including EMS in Thailand.

    A recent new arrival on the processing scene is AirLab who are within walking distance of On Nut BTS. Young an enthusiastic bunch; when I went yesterday they were covered in chemicals and playing with wet collodion negatives! They are cheaper than IQ, and the scans they provide are twice the size (but JPEG rather than TIFF). They will process E6. You can send films to them and they will return via EMS if you are not Bangkok based. Their on-line presence is currently restricted to Facebook.

    Thanks, also some good info from you here. There's also 'husbandandwifeshop' that can be googled for film through the mail and payment through the usual Thai bank options too. I got a lot of info in Thai about seven places in Chiang Mai that I will also translate and add into the next update for this articel. It will no doubt be an ongoing thing! I think Films-Festival is one of the biggest film suppliers on Ebay at the minute.

  10. Well written.

    I was out with a young African woman last night. Educated African woman in her 20's. Her iPhone didn't come out once. Instead it was very fun conversation with her leading the way with hilarious, fun tales, that almost had me crying with laughter. Not the type that had Lakorn-esque boing-boing sound effects.

    After 9 years of Thailand, I must say that it was refreshing for an evening to be spent having fun without neither a phone being seen or selfie being taken.

    Must have made for a new kind of experience. Tempted to go off on a reply all about how I remember Thailand before smartphones and selfies but that borders onto ranting territory and my post was meant to be more tongue in cheek really. Besides, the scourge of smartphone abuse is prevalent all over the world, I was merely recounting a Thai version of the tale which had captured my attention I suppose. Hope that things go well for you with the young lady in question.

  11. Hi, posting this up here for TV members, hope it helps, especially in terms of detailed info on specific things and places in for specialist film and labs/repairs etc. I will not post the place where I originally publish this or my film work and blog. Don't want to break rules or spam the forum, there's no tricky signature or hidden link in my name or anything. You can google the thread topic title to find me if you wish, I only say that as if you wish to share or repost this anywhere else, I'll probably be ok with that but please at least take the time to find out where it was originally from and credit me accordingly. I simply would like to share this information as I believe it to be pretty comprehensive and useful, even to those of us who live here. I don't want anything other than to help people, it took me many,many years of personal experience to find all of this info and quite a while to get the article written. Please be nice, I'm a sensitive soul smile.png

    January 22, 2016

    Following a surprisingly large influx of requests from readers of this blog for specific tips and advice about coming to Bangkok and greater Thailand for taking pictures, I looked around for such an article. I couldn’t find a great deal of information on the net that was comprehensive, up to date, relevant to film and digital photographers and written accurately by people with enough appropriate experience to satisfy my requirements. This (lack of) discovery was equally surprising and leads to my decision to tackle the issue here myself, hopefully I have not bitten off more sticky rice and mango than I can chew. I shall avoid the off-topic aspects (well covered all over the web) such as accommodation, eating spicy food and where to exchange your traveller’s cheques. That said, there might be some key points where photographic and general interests overlap and these may warrant some brief mention, I’ll try and keep it on track.

    General:

    The light in Thailand is, in a word, strong. It sounds obvious but it really needs to be accounted for, you can easily get sunburnt on an overcast day walking around in Thailand, distracted by its offerings. For film users, this means that lower speed films of 100 or 200 ISO are more than adequate, 400 would be the limit that I would shoot with in the daytime and that would mandate stopping down significantly and ND filters come in handy for those preferring to be wider open for subject isolation purposes. All digital brethren need not worry about such issues of course. The quality of the light itself is absolutely amazing, especially during those golden hour times just after sunrise and immediately running up to sunset. At such times on a good day, the tropical South East Asian light has an ethereal quality and colour palette which is something often previously unknown to those coming from cooler climes, especially Europeans and the average septentrional North American. During the months in which monsoons and heavy rains pervade, namely June through to December in a typical year, it has been my observation that these golden hours have the potential to be at their most impressive. This is when the lighting in which one can find oneself is akin to dreamlike flashback scenes in films or long lost memories of experiencing mind-altering substances in your youth, to those of such proclivity. In general, the intensity of the light in the daytime is such that when shooting out in the open, I highly advocate the use of lens hoods and a filter of your choice. That said, even in such strong, unflattering overhead light at midday, the labyrinthine layout of this sprawling asphalt jungle still offers up significant shaded area and much opportunity for shadow play. Surprisingly, Bangkok can be as much a black and white shooter’s paradise as a prized locale for the colour adherent. A film shooter coming here for a holiday would do well to have at least some of both.

    Places to shoot and related issues:

    If you’re here on holiday from another part of the world, I honestly think that almost anywhere in Thailand is nice to shoot. However in the interests of being as helpful and specific as possible, I will try and narrow it down to a selection of suggested ideas. Bangkok is an odd city in that it has no centre per se. If you like urban photography or candid street style shooting, in Bangkok you could try the following: Siam Square (where the kids go to look cool and be seen on the weekends), Chinatown and the sometimes seedy lower Sukhumvit areas. The former is great for a certain kind of classical Asian street work, immigrant ethnic Chinese motifs, old shop fronts and buildings that haven’t changed much in decades. Smoke and steam pour out from small food vendor’s stalls in tight alleyways with great colours abound. The latter offers snapshot opportunities of a broad mix of tourists and seedy types as well as some big city themed shooting. After dark in this area gives you a host of Thai, Arabic and Western fusion with random smiley young prostitutes and ladyboy street hustlers abound. Fast film night work on street level here can be fantastic. Busier office worker parts of town also make for fertile hunting ground on weekdays around peak times and lunch hours when the other areas might be quieter, try Sathorn, Silom or Ploenchit for smartly dressed folk hustling and bustling. These are places where wide-angle lenses of a 24-35mm work well in my opinion. You might well find yourself in tightly squeezed and cramp spaces yet with lots of subjects and quirky elements that you feel you don’t wish to omit from the picture. Leaving a day or a half day for the main Chao Praya river express boat can be a great idea for a shoot and better than getting ripped off for a private wooden longtailed boat ride. Although to be fair, they are also great fun as you can ask the boat owner to go and stop wherever you like within reason, making for some wonderful ‘small river and its local community’ social documentary photo opportunities rather than the standard Lonely Planet cliché shots. Get the regular, larger and reasonably priced tourist boats every 30 minutes for just 150 baht atSathorn Pier, it even connects directly with the skytrain at Saphan Taksin station.

    In addition to planning to shoot at various places around the city, don’t underestimate the Helmut Newton approach to choosing location on foreign shoots. His style was borne out of sheer laziness and he shot much of his best work within the hotel grounds or within one kilometer from it. I am not suggesting this be your approach but in Thai streets, you are likely to find your best shot anywhere, even very close to where you are so be ready with the camera set up for action as soon as you head out. You could easily see a small elephant, a street beggar shouting at two-post coital stray dogs with their genitals locked together and a family of four all on one motorbike transporting a desk fan and ironing board the wrong way down a one way street without a helmet between them anywhere at any time. And yes, they will be the ones giving YOU an odd look. For this reason, if your camera allows manual focusing I highly recommend zone focusing your lenses in advance and stopping down at a reasonable ISO so that you can quickly estimate your subject distance on the fly, compose and take shots very quickly. This goes for digital and film shooters. Practice a bit before your trip to get the hang of the depth of field. If you are an auto focus kind of person, you can take your chances. Don’t buy a new camera for your Bangkok adventure, it’s a bad idea photographically speaking anyway, come equipped with some kind of old faithful that you are already at ease with and know well, be it digital or film.

    Don’t forget the wildcard option of getting a taxi and roaming around with a wider focus before simply asking to stop and getting out anywhere that looks interesting to you, even if it is considered plain by the locals. This is honestly not a bad idea. Bangkok is largely a pretty safe city and in broad daylight, assuming you are not behaving obnoxiously, offensively and you use your common sense, it’s perfectly ok to wander. Look around back streets and small alleyways and walkthroughs to see where normal, perhaps less well off people live. It’s really fine and the worst you have to do is find your way back to any main road before just flagging the next taxi to get back to your hotel. It might be easier and slightly safer for men than women, but on the whole this is totally doable and just needs a little confidence. The best areas for this will be away from mainstream tourist spots as the city starts to spread out a little. Go far to the East or West of the city limits or beyond if you feel up for it. Again, the great shots are everywhere in Bangkok.

    For street shots with more space and air in the frame around the people, try the parks such as Lumphini, Benjakit or the two larger ones which kind of cojoin as the Suan Rotfai (railway park). Think Central Park New York or Hyde Park London but not quite as busy, on a weekday at least. That is also very close to the famous, sprawling Chatuchak market (weekends only) most easily accessed from the Morchit skytrain station. In the case of the aforementioned market, it’s quite the spectacle but a very tight squeeze indeed and market vendors might not be happy if you appear to be putting them and their wares in the frame, it’s worth being aware of this. It’s also a good place to find pickpockets plying their trade and so a foreigner with a fancy camera distracted by taking photos might be a target, doable but be warned.

    As I have stumbled onto warnings, let’s get them all out of the way now lest they negate the cohesion of what follows. Don’t engage with any Thai people approaching you out of the blue, speaking English in public places. Thais are pretty shy and reserved and whilst a very friendly people, they typically don’t do this as a rule; those that do are often looking to scam you. Photographers need to know this as you will stick out as a foreigner with a camera and will certainly encounter this somewhere on your trip. Taxis are fine and a great way to get to places to shoot, even shooting from them en route can have its place but don’t get in any taxi which is already parked nearby to a tourist spot and waiting with the driver beckoning you. Walk up the road fifty or a hundred metres either way and flag a moving taxi down. Make sure he puts the meter on as soon as you get in, if not, get out immediately. Wear loose, light clothes that cover you up in the sun, sun cream for that which isn’t covered and a hat is also great to have. Need I say comfy shoes? A quick word as I struggle to stay on topic: in Thailand they do judge a book by its cover and whilst Westerners are generally viewed with respect, it’s because they are expecting you to be ‘respectable’, at least according to their perceptions and this also applies a little to how you look. You don’t have to walk around in a three-piece suit taking pictures in a tropical country but it works out better for you in general if you are not too scruffy and beach bum in your general appearance. You don’t have to wear a vest, singlet or ‘wife-beater’ kind of deal, although it’s fine at the beach. You could wear a polo shirt with a collar. You might want to wear flip flops around the city but you could wear some plain, clean Converse and compromise a little whilst still being casual and in holiday mode. Yeah, sure… Thais wear flip-flops around the place but I’m just trying to give you the inside angle a little. Not wanting to preach, I’ll move on. I only mention this at all as you will sometimes only be treated as well as you appear, really scruffy hippie Westerners are often (unbeknownst to them) looked down on by Thais who have a special name or two to stereotype such people. Not even going to go there with the cultural do’s and don’ts beyond this as it’s too far off topic for photography specifically and you need to (easily) do that homework elsewhere. Please drink more water than you feel you need to when taking pictures outside for prolonged periods of time. Patronising? Perhaps. Essential? Definitely. Use the skytrain and subway a lot and have your camera ready when you do, as the process of using this mode of transport is just as likely to yield great people shots and candids in its own right as the destinations to which it is taking you.

    The very things that photographers based in Bangkok never, ever want to shoot again are probably the very things that you will love to make frames of on a Thai holiday. The ‘usual suspects’ top three would have to be tuk-tuks, temples and saffron-robed monks in any setting. Honourable mention goes to beggars and street vagrants of questionable mental health, of which there are very many in Thailand. It’s always interesting to me that whilst many photographers abhor the idea of taking seemingly exploitative pictures of the down and outs in their own, often developed countries, something about shooting tramps and beggars in far away exotic places somehow makes it all alright. They feel the need to embrace their inner ‘Steve McCurry’ about it all. Photos of real life are okay in any country to my mind, as long as you are not looking to humiliate or portray people in a way that exploits and you handle yourself respectfully… I see no issue. Then there’s the more advanced variation on the standard motifs, a monk in a mall debating the purchase of a sophisticated new smartphone model can seem surprising and an uber-original shot to photographers on holiday here at first, but trust me when I tell you it’s been done to death. Doesn’t mean you can’t do it again though, right? Flickr results for such searches will surely confirm this contention. All this is fine, one photographer’s trite stereotype is another’s brave new world and Huxley himself wrote “I want to know what passion is. I want to feel something strongly”. Shoot what you feel.

    Places to perhaps not shoot:

    Be aware that if going around the ubiquitous nightlife and shady bar scene, cameras have the potential to get you into trouble quite quickly, often with nefarious individuals. Pulling out a camera in a go-go bar or nightclub is usually a bad idea. In temples it is often ok but it doesn’t hurt to ask first or at least start of in a shy way and see if there are any disapproving glares to inform you of a possible faux pas in action. Certain large attractions such as the Grand Palace can be very off and on about what cameras they will and won’t allow and this can be frustrating, tripods definitely not cool here but small twisty Gorillapod affairs discreetly deployed in and out ofpetite bags can be okay. Inside the shopping mall centered society that Thailand has become in modern times, smartphones are ok but anything that looks like a dedicated camera is not a good move (but fine if on a strap and not being used). All malls and department stores typically have ‘no photo’ signs on the main entrance doors for all to see so you can’t and shouldn’t argue the point if you are asked to stop shooting. That said, even this is a lot more laid back then it should be nowadays and a quick frame snatched here or there is unlikely to elicit a defcon five response per se. Nobody asks teenagers to stop taking pictures with their smartphones of course; ironic really as these are sometimes as good as many dedicated cameras in their own right these days. Technology has blurred the lines here and old policies have not really caught up to how the world is today.

    More Film shooter specific:

    The X-rays in baggage scanning equipment at either of the Bangkok international airports will have no adverse effect on your film whatsoever, fogging will not occur. This is assuming the following caveats: The film speed is ISO 400 or lower. Faster film might well be ok too but I’ve never personally tested it so if in doubt, push 400 a stop or two. I prefer Tri x 400 at a two-stop push to a lot of the faster films anyway. You simply MUST take the film onto the plane with you in the cabin as carry on only, do not put film in baggage that is to go in the hold of the aircraft. If you do, all bets are off and the film will probably be ruined. Bangkok airports are perfectly film friendly otherwise as of 2016 and I have tested this personally myself countless times and continue to do so. A personal request for a close hand inspection of the film to avoid scanning, which is possible in some other countries, seems to be a bit unheard of here in my opinion. Just put it through the general scanner as you go through security as many times as they require and it’ll be fine.

    Generally as with the rest of the world, film is a bit of a niche thing in Thailand these days and whilst it’s still popular with enthusiasts, Fuji Instax/Polaroiding teenagers and the younger retro hipster set, it’s not something which is that easy to find or ask about with the average person. It’s not exactly difficult though either with a little insight. For regular colour print C-41, the standard fare, cheaper Kodak Colorplus and Fuji Superia ilk can sometimes be found in small quantities in any generic Sino-Thai family owned three storey townhouse lab. That’s something that you will recognize as soon as you see one. They are prevalent all over Thailand on any large road or street. Often times, the entire three generations of family all live in it but only the ground floor houses the lab operation. The whole of the building front will likely serve as a huge sign, twenty metres high, typically a Fujifilm or Kodak colour scheme in the usual corporate branding. The operation’s longevity in the area will be determined by the extent of the sunfading of said shop front and the magnitude of the seemingly mandatory ad hoc display of photos in the ground floor window. For maximum bonus points, said display should comprise of a ‘before and after’ example of a previously considered unsalvageable torn photo from the forties (typically it’s an over zealous Photoshop job of somebody’s long deceased family member), several pictures of local civil servants wearing elaborate uniforms which bear more pips, badges and gold rope under the armpit than the most decorated war hero from The Somme and several pictures of no longer cool Thai pop-culture stars from at least seven years ago which thirty-two photo labs in the same postal code all claim to have taken. These are all your hallmarks of quality. Of course, you are still trying your luck but prints from such places are often really decent, cheap and very quick. The key word to get around the language barrier for print size is ‘jumbo’ which means slightly larger than postcard size and typically might be as little as 2 baht a print, all being well. Examples of other sizes and paper types are usually on the wall in displays that you could just point to anyway. If you’re really lucky, in addition to the popular 90’s era Fuji processing machines that are often found in such joints, you sometimes stumble over a Fuji Frontier film scanner on its last legs for facilitating ultra cheap film scans of a high quality with low labour costs. Make it clear that you want ‘no Photoshop’ if using such a service or you might well come back to find the young Thai student-intern working the scanner for a ‘child in a fake Nike factory’ wage gives you back scans or prints in which everybody has been worked over to look like an extra from The Wizard of Oz. I mention these places as they are all over every city in Thailand and there might be a perfectly good one that has all you need just doors away from where you are staying, worth having a quick look around when you first arrive. You’ll be lucky to score black and white at such an outlet but with the trendy hipster kids trying their hand with a bit of film here and there, you sometimes see a few rolls of Kentmere or something in the background.

    Other cities around Thailand also have these same photo labs everywhere on the main roads and they are just as easy to find. However be advised that by now, the ones that offer film processing will be a lot less prevalent as their sole business model will typically just be making prints from digital images. It’s not cost effective for them to keep running the film machinery. There’s often just one photo lab in a small to medium sized rural Thai city that might still develop film for you and if the one you go into doesn’t have the service, they will almost certainly know which of the other labs do. They’ll tell you the name or help you find it, it’s no lost business to them after all. I know the following cities still have at least one photo lab that devs film: Chiang Mai, Chiang Rai, Phuket, Khon Kaen, Udon Thani, Kanchanaburi, Pattaya, Hua Hin, Ayutthaya, Ubon, Saraburi and Rayong (black and white, colour e41, scans and same day, often very fast development at the green Fuji shop opposite the Post Office!)I am sure that there will be equivalents of cities of at least these sizes. You’ll struggle to find anything other than colour print film once you get out of Bangkok but you can still get it in larger cities. I bought black and white film in Chiang Mai in December of 2015 and they even had devving services on offer up there as well (Photobug) which was nice to see. It was very easy to find Kodak Colorplus in different places in Chiang Mai also. Hopefully this all gives you some idea of what to expect.

    For the less risk adverse, here are some Bangkok safe bets for finding film and services of a greater variety and quantity. I have no affiliation and stand to make nothing from these recommendations but these places as of 2016, will surely see you right. ‘Photogallery’ is not the easiest find up on the higher floors of Thaniya Plaza, Soi Thaniya (Skytrain station Sala Daeng) but this is probably my current number one pic. The owner is fair and honest and maintains two large commercial fridges, which are nearly always packed full of the good stuff. Kodak, Ilford, Fuji are often in stock as well as some large format and wildcard bets like those Impossible films from the Netherlands. Probably the best place to buy black and white film right now with ease in the city, if you are on holiday and don’t know the place. If you can’t get something here, you’ll still usually be able to get its equivalent in another brand and you’ll get help and advice in that regard if you need it. The shop also has lots of decent film cameras and lenses in featuring basic Japanese brands all the way up to the posh German stuff. English communication is fine. Photogallery are open Monday through Saturday from around very late morning to early evening

    One of the best large labs in Thailand for doing just about anything above and beyond the basic c41 run is probably ‘Procolorlab’. Alas they are somewhat off the beaten track, hard to find and not very ‘tourist English language drop in visit’ compatible. The good news is that Photogallery regularly deal with them and so for a slight surcharge you can go through them. I mention this as it’s darned handy for something like E6 slides or having real optical enlargements done. It’s all sent by motorcycle messenger so you don’t have to do any running around. There is another lab of repute called “IQ lab” on Silom road (another branch near Ekamai) and although they have great equipment and a long standing reputation, it’s a pricier place overall and their services are a tad diminished in recent times, they stopped doing E6 altogether last year for example. Honestly though, if you’re still shooting slide film in 2016, them’s the breaks. IQ lab do scan 4 x 5 film though but it’s a place where you can get different answers to the same question on different times and some odd scenarios depending on what materials they have in stock at any given time.

    'Av Camera’ is very close to BTS Saphan Taksin and an easy google find. It’s another long-running and reputable place to visit, it’s very small and well packed as the main business here is all things modern digital photography. You can easily find them and the map on their website. The owner is a nice gentleman who is typically sat at the table in the back of the shop on any given day. They also have a film selection in stock pretty much all the time, just less quantity and variety than Photogallery. Again, you can have devving of pretty much any film type outsourced through them reliably and messengered back over to the shop for pick up at a later date. This is relevant as you could go on an island hop and pick the film up on your way back through Bangkok without carrying your film everywhere you go. You can find a nice selection of secondhand film equipment and lenses for sale here on any given day also. Either shop is a good go to place for repairs in an emergency, they are certainly to be trusted in this regard but only you can decide if you have the time in Thailand to make that feasible. It’s nice to know the option is there.

    A more wildcard choice is perhaps Siam Digital in Siam Square. Very easy and quick from the BTS again here with a good range of developing services and turnaround. Certainly C41, black and white and I even saw some young guy dropping off a roll of E6 there circa New Year 2016 so I know they offer it but at a slightly delayed outsourced turnaround. The rest of it is all developed by themselves in house and typically with same day service, which is nice for those on holiday and hence the reason for including them here. I have seen some mixed reviews about the quality of their processing though and have never tried them personally so I can’t promise anything here. They are a good place to find film in that area, usually a few colour choices and a fair selection on black and white from the likes of Ilford. Room temperature storage only here but that’s chilled air con temperatures anyway, or at least during office hours. If all this black and white specific processing limitation stuff puts you off, you can find Ilford XP2 chromogenic C41 process ‘pseudo’ black and white at most of the above places and then you can get that developed anywhere that does regular basic colour film processing. That opens your options up a lot for developing. To be fair, I’ve shot XP2 in bright Thai sun before and found its dynamic range to be about the most flexible that I’ve ever used and so it’s certainly a reasonable compromise option. I think you can even alter the ISO of different frames a little on the same roll and still get acceptable results back but I urge you to do your own research on that.

    In the Ploenchit area (skytrain stop of the same name) you can find ‘Siam TLR’ shop on the ground floor of the Mahatun building. No experience personally but I have heard the owner is happy and friendly and there’s lots of second hand cameras to see, I suspect a few other film related services are on offer here too.

    For those phototourists willing to be a little more adventurous, hop in a taxi and head to ‘Central Lad Phrao’. It’s near the very northernmost end of Chatuchak park. This is a large mall but that is not the reason to go there. The key is to just walk a short way over the main road (away from the mall) and you will see a whole collection of photo labs buildings and related businesses there directly opposite this lined along the road. Many of these places sell good selections of films and offer processing. It seems that not too many have the films in fridges but the stock is usually fresh enough. I suspect some smaller shops might buy in bulk and resell from some of these larger operations. You can get harder to find films here usually. I have bought from a great selection at ‘Photo City’ before and was happy enough. There’s also a place here in this bunch called ‘A+B Digital Lab’ which has the unusual distinction of doing fast colour processing, sometimes done in a couple of hours. You could even have lunch back over inside the mall while you wait.

    Film prices vary in Thailand according to brand, but it’s not too bad overall, depending of course on where you are coming from. In general it seems to be a little cheaper than Europe for some films and a tad pricier for others. We don’t have bargains like one British pound for 24 exposure basic C41 colour rolls as per in the UK currently, for example. Some super basic films like Kodak Colorplus 36 can be snagged for around a hundred baht if you are lucky, this is very cheap for Thailand. It’s double that for the name brand quality black and white though. Some of the slightly cheaper sources are one or two well known online shops for film that are operating within Thailand from social media sites. I haven’t included those here as you generally need to be set up in Thailand with bank accounts and a home address to order so it doesn’t seem applicable to someone passing through to shoot. If you would like this info, email me through my site and I will give you up to date info.

    For a nice concentration of lots of small vintage camera shops in one place, as well as some highly skilled repair people, check out Mega Plaza on Mahachai road, you’ll need a taxi to get there. There’s one shop there in particular which has quite the reputation, it’s called ‘The Eye Camera Café’ and the nice gentleman there is considered by some to be one of the best film camera repairman in the country.

    There’s a guy from Hong Kong named Eddie who runs a place called ‘Camera Collection’ in Charn Issara Tower (ground floor) around the Silom Road area. It used to sell a lot of cameras and the like but he seems busier with doing paid photography in recent times I hear. He can source all the usual cameras, lenses, films and processing services that most of the already mentioned places can. I have dealt with him a few times and found the place pretty decent and straight up overall.

    Traditional darkroom space hire is a real tough one and you often need to know people or friends with their own set-ups in many cases. That said, there is one which comes highly recommended called Patani Studio. The services there vary but at the time of writing (2016) it is possible to hire the studio for a day long, eight hour block of time and the only consumable you would need to bring is your own photo paper. I think the price would be around two thousand baht. You can source this through some of the aforementioned places like Photogallery perhaps or bring your own. You can find this place at 59, Soi Nana off the Charoenkrung Road. I have to be specific here. You would do very well to ask the taxi for Charoenkrung road FIRST and then find Soi Nana off this road. The reason for this is that Soi Nana is also the name of an infamous place on the lower Sukhumvit road area which has the largest concentration of hookers and go-go bars in Bangkok. Ninety-nine percent of taxi drivers are going to assume that you want to go to the latter of course. I dread to imagine the scene when you get out of the taxi there and starting asking random streetwalkers and go-go girls if they can take you to the darkroom with a red light.

    What to bring general tips:

    For modern digital photography, you can buy literally anything here that you would find in any other large capital city of the world in terms of consumer electronics. Reasonable prices too. Two large places are ‘Pantip Plaza’ which was at one time the country’s number one spot for electronics but has now faded somewhat from its former glory. I like ‘Fortune Town’ better myself but be forewarned that any geek could easily waste a day walking around this huge mall and not spend the time outside taking pictures. Bangkok might even be better than some large capitals in more developed countries in this regard in fact, don’t forget how much of this stuff is made in Asia. Storage media/cards of all brands and types are readily available everywhere and often people find that they can end up slightly cheaper here than back in their own countries at times. Replacement batteries for various cameras are also easily sourced both for original and off brand/grey stuff in the two large malls already mentioned. Also, Nikon stuff is made here in huge quantities to a high standard. You really don’t need have to go to these big places though as most modern photographic needs are met by at least one store in just about every large group of shops and retail space that you are likely to come across as you move around Bangkok. So, no need to bring too much in the way of ‘just in case’ items, especially if you like to pack light. For powering your camera: AC mains is generally two pin or two flat prong (both work) similar to US types ‘A’ and ‘C’ and they run 220 volts. Stuff from the UK works at the correct voltage without frying anything as long as you have the correct plug adapter. I hear US appliances might be a bit trickier but have never had to test this myself. You can often just USB charge camera batteries without too much hassle and the right cable nowadays of course if in doubt. Not to get too general I hope but I would recommend a decent umbrella June through December though, for the ladies this doubles up to keep the sun of you in true Asian (and Victorian England) style but looks extremely odd for a man to do. Don’t fear the monsoon season, bad weather makes for great photos and seeing as you are on a holiday or extended photography trip, you probably don’t have to be anywhere on time anyway. If you get caught out in the heavy rain, it might be a lot heavier than any rain you have ever seen before in your life but any Thais stuck out without the right kit will be equally stuck and you can follow their lead as people generally take shelter together wherever they can. The general rule is that the more extreme and violent the rain in Thailand, the quicker it stops and just twenty minutes can make all the difference sometimes, you are then on your way. It’s obviously harder to hail taxis in the rain. Staying close to subway and skytrain stations here can be handy during these months not only for the immediate shelter benefits but also because tropical South East Asian rainfall is often incredibly specific and narrow in terms of where it hits. It’s entirely possible that it hasn’t yet rained at all just one stop down the train line from the monsoon and it’s business as usual. Strange but true. A camera bag that doesn’t look like a camera bag and is quite small, maybe just big enough for a body and two lenses is ideal for Bangkok. Any bigger and you are inviting searches when going in and out of places plus it’s just too hot to be bogging yourself down with kit. I also personally hate having backpacks and the like with me when shooting street as I feel paranoid about undesirables looking to rifle the pockets when in squashed up close quarters around the city. Another great tip that is invaluable is to get the camera out of the bag as soon as you get back to where you are staying, don’t leave them stuffed in bags in this humidity. The flip side of this is even more important, when taking a camera and lens out of an air con room and out into the tropical heat of Thailand (especially in the Bangkok heat) you should let it slowly warm up before you use it. Lenses fog and condensation clings to film inside even pro level cameras . I sometimes forget this. Last year my incredibly reliable Rolleiflex ‘E’ had a winding error. It was actually user error as I cranked it over a tad over-zealously within two minutes of leaving a freezer box hotel room. The condensation caused just a slight slippage in the film transport and the frame spacing was off, overlapping several frames before it sorted itself out. When you’ve only got twelve shots on a roll, that’s less than ideal. It had never done this before or since; I didn’t let it settle into the humidity first. User error. Heed this advice for any kind of camera

    When to shoot:

    It’s pretty hot and humid in most of Thailand nearly all year round, some years the cool season never actually happens. It can be colder in the North depending on altitude and time of year but for the rest of us, it’s just plain hot and sticky. You can shoot anytime but getting up early and shooting before 10-11am is a great idea. Start with the first half of the golden hour and go from there. This is sometime between 6-6:30am most of the year. Thailand is great in that it is pretty consistent in terms of daylight hours. Although it gets dark quicker at the end of the year and following few months, it still only changes by maybe half an hour or more, moving slowly between these changes so you don’t notice it that much when you live here year round. There is also no daylight saving time to account for, which I personally love. In simple terms then, you’re talking about pretty much twelve hours on and twelve hours off, all year long. It’s good to have this constant as a photographer. By the same token, shooting from 5 to 6-6:30pm onwards for the last hour and a half of light is not only more comfortable for you but it yields the best evening light to work in also. Beyond that, shooting at night is possible for film shooters as Bangkok has a lot of bright lights and neon but obviously it’s better in more mainstream areas. Going with ISO 1600 or 3200 film is perfectly manageable with faster lenses in such places. Digital shooters can shoot round the clock with good modern kit regardless of course in many cases; this is one area where it is an eminently practical medium. A totally random suggestion that works well for this is the Khao San Road area. It is a good example of a place in Bangkok where you can shoot at night around lots of people with bars here and there and probably not cause too much trouble with a camera, yet you should trust your senses and gut feeling on a case by case basis. It’s also cool hippie ‘turn on, tune in and drop out’ central with the current wave of gap year students rolling through every year trying to look like the counter-culture yet somehow all managing to look exactly like one another in their own mandatory style. This can be good and bad depending on your age, political leanings and levels of patience for strangers and the diatribes they can unleash upon you when well lubed with alcohol. Good for night shooting though.

    Taking photos in public of Thai people:

    The good news here is that Thai people are incredibly laid back and very unlikely to ever be confrontational in any given situation in general, most especially in public. You can take pictures of them but don’t get too in their faces and respect personal space, which seems a bit odd at times in such a tightly crowded city. If you want good street shots, go wider in your focal length and work with a little bit of tact and finesse whenever possible. A smaller camera is better, pointing a larger DSLR with a long zoom lens right at someone might not always meet with happy responses, but then this is true anywhere in the world and so common sense applies. Though there are exceptions, generally it’s no problem to walk around shooting street in Bangkok, you will be perceived as a tourist anyway so might as well live up to it. Basically, with a little practice of good street shooting techniques you can have an easy time of it. I highly recommend zone focusing, knowing your camera and lens very well, framing the shot in your mind before you lift the camera to eye level for fast shooting and not being too threatening or getting right in people’s face. Be a little bit stealthy and discreet but you don’t need to be overly sneaky or anything. I’ve rarely had a problem ever and truth be told, even Bruce Gilden could probably get away with it here, for a short while at least. A golden rule in Thailand in general that many people learn on day one (and then forget almost immediately) also applies brilliantly to public photography here: If you smile, Thais will not be able to get angry with you. If it sounds simple, that’s because it is. Remember this, if you are caught taking a candid that you feel didn’t go down well and it has elicited frowns or other such faces of displeasure…humble, friendly smiles and walk away. That’s all you need to know. In Bangkok, a very basic kind of simple survival English is known to some, even though the overall standard for the country is poor. You can get shop assistants to deal with you and make a sale (or at least find someone in their team who can try) but when shooting on the street, it’s actually often useful to simply remain silent and hide behind the language barrier. This is coming from a photographer who has studied and practiced their language diligently for twenty years and has the option to use fluent Thai if needed. I’m not a fan of people who don’t make the effort to learn the language in a foreign land in general but in this scenario, I just happen to think that the ‘silent smile, slightly bowed head and keep it moving’ technique is the best communication for the situation and I’ve tested this extensively for a long time with positive results. Trust me. Please be aware that upcountry and away from tourist hotspots, the locals will be less likely to see lots and lots of foreigners and so they might react a little differently to you but that doesn’t automatically mean in a bad way. It just might be that you are an odd or unexpected sight in their day. They might also be a little more shy but it’s also highly likely that they’ll be very friendly. Your chances at blending in and being stealthy will diminish somewhat in these locales. Honestly, Thailand is just such a great place to shoot.

    That is my advice and a general guide for photographers of both film and digital media for shooting in Bangkok but most of this applies pretty much as well for the rest of Thailand also. It’s a work in progress and I’ll keep adding things to it. Thanks for reading.

    CCP

  12. Hi All,

    New member checking in. Trying carefully to not break any rules. Wrote this recently and would like to share with anybody who has an interest with Thailand and photography. This would seem like the right place.

    The Ironies of Thai Selfie-Culture: Social Semaphore Over Smoothies

    Every genre of photography exists for a reason and fulfills a role. By far and away the largest genre prevalent in the world today is the smartphone-facilitated snapshot taken specifically for sharing on social media. Who could have known that this genre would have had such a significant impact upon not only photography but also the way people live their lives as a whole?

    Sure, this is old news, but it still never ceases to amaze me how witnessing examples of its impact on social behaviour first hand can bewilder, amuse and sometimes even sadden me as the observer. There’s a version of these events and stories for every city and town in the world. This is what I witnessed in Bangkok recently:

    I had been shooting street, it was a day when I was pushing myself and I had got up to maybe my third roll with a 35 Summaron on the M2. Nice weather but hot and I needed a place to sit down, sort through some films in my pocket and replenish my body with fluids in a cool place. I had sat down in a nice cold fruit smoothie establishment in a pretty slick part of the city. I was sat at the back but next to the window with Leica bits, Kodak cannisters and a light meter strewn in front of me on the nice wooden butcher style table top. I was unwittingly announcing to the world that I was probably odd or eccentric, if the world were bothered enough to pay attention to me, which of course it wasn’t. Times like these you might get a puzzled smile from an older person or a Klingon hipster trying to shoot you that knowing look.

    Through the large window I notice a young couple advancing toward this place, they were doing the annoying self-important walking whilst smart phoning and not looking up thing. People engaging in this practice are basically relying on other people’s good will in getting out of their way. This is a classic ignorance and arrogance combination that has never sat well with me. Although it can sometimes be amusing when you see two people bumping into each other doing the same thing from different directions. I saw a guy drop his uncased IPhone to the floor once from such an affair. The jerky fumble dance that ensued as he tried in vain to catch it on the way down was almost Mick Jaggeresque. Upon hastily reclaiming his beloved device from the evil terra firma, his face looked like he had just lost a kidney. Talk about crash test dummies. I wonder what happens if a pedestrian crossing whilst texting gets hit by a motorist who is texting and driving? Would the universe have some way to just kind of let the two cancel other each out and chalk up another couple of strikes for team Darwin?

    Although I don’t always admit it, I sometimes gain twisted satisfaction in being deliberately ‘obtuse’ to these kind of offenders in public, I say the word in much the same way that Andy Dufresne did, although hopefully without such dire consequences. I refuse to side step them, I stop short of actually speeding up and barging them head on but NO, I will not sidestep for thee. It’s on you. But that wasn’t what had really caught my attention about this pair of trendy lookers, they were both really quite photogenic and I was fervently hoping that they wouldn’t suddenly create the perfect street scene photograph right before me now in great light as I was sitting there with no film loaded in the M2. These ‘the one that got away’ moments haunt all photographers, especially those who shoot street with film cameras. The young girl was really very pretty, although she probably didn’t quite believe this herself as she was caked up in far more make up than was needed. Her boyfriend was quite the good looking young chap. It’s always a hallmark of a good looking bloke that even straight men notice how good looking you are. It’s probably a gold standard.

    They enter the scene stage left, not looking up from their phones and yet still somehow managing to both get through the door and into the establishment. There is a long high bar and stools along another window. She sits at one stool and he automatically sits two stools down from her. This immediately piqued my interest as they were clearly a couple yet it was a given that this space was needed between them and you could just tell that this was a regular and well rehearsed drill of theirs. The young guy ordered smoothies of their choice without entirely looking at the menu at all; his eyes still never left the phone. As they waited for somebody to bring their order over, both of them anxiously tried several different positions on the seat to see which angle and light worked the best. They had both decided at the same time and without any communication between them, that their entry to a humble smoothie outlet was an event that they needed to be broadcast to the world. The young lady in question briefly applies either lip balm or lipstick of some kind and then warms up with a few shots. I am only two metres or so away and her smartphone is a newer, jumbo screened affair. I can see that she has already taken at least six photos but none of them have yet met with her approval. The smoothies arrive, now she needs to include this in the frame and proceeds to take another ten frames with her mouth sucking on the straw in a goofy manner but she’s still not happy. Pretty > Goofy, try again. She takes yet more frames with the smoothie on the bar top and her pretty head at just the right angle next to it. Getting closer now, she’s honing in on the desired result but I can see that she is less than thrilled to have me in the background of the shots. I can just make myself out in them. She moves a fake potted plant very slightly (and slowly so as to not make it too obvious) with her fingertips jus a bit at a time until my unfortunate middle age has been perfectly blocked out of the frame by a fake cactus and that’s when I realize why they have sat so spaced apart. This lady needs her own ‘selfie-zone’ studio space everywhere she goes in which she can move herself and all the props within it to represent her own perfect, trite, saccharin sweet, artificial version of reality for just 1/500th of a second to show the world.

    Don’t fear that her other half is getting his feelings hurt by accommodating such a requirement, for he himself is making full use of the space to take similar selfies of note wearing his sunglasses indoors. He’s less concerned with including the smoothie in the frame in case it compromises his high-maintenance, fragile, new-found masculinity. Yet nailing the perfect angle of the sunglasses and their reflection is an issue which seems to be challenging him somewhat. He has made at least twenty to thirty attempts at this shot despite being sat in good light with a very capable camera in his late model, high-end smartphone with huge display.

    Already five to ten minutes has passed. Not. One. Word. Not so much as a non sequitur.

    I watched on. I couldn’t quite decide if it was great that they were so comfortable together that they could be like this with each other or whether it were in fact such a terrible shame that they were wasting their wonderful young days of love away uploading pictures of fruit smoothies to people that they haven’t seen since kindergarten. Desperate to plug into the grid and the hive matrix, real life was passing them by as their youth and good looks slowly melt away like the smoothies. Too busy updating the world to actually be in it. Authors of their own irony. 'Virtual reality'…the first word means almost. This situation was almost real, but not quite. Something occurred to me now that I’m entering middle age. I’m glad that in my first days of adulthood, a photo was something I took quickly with a compact camera and then got developed later on. I’m glad not to have missed out on that part of my life, love and relationships with others in the world due to being sucked into the matrix. I love technology but I also love life and wish to appreciate it with technology in it, not the other way around. Maybe that sounds like an old man saying “Get off my lawn”, I honestly don’t know. I’ll go one further, younger people should have their heads up more to see and enjoy the world instead of their heads down like the old people playing bingo who have already seen it.

    The two young lovers continued their routine, not once interfering with each other’s flow or (im)personal space. I have to admit, it was seamlessly done and as smooth as their beverages. There was almost a sense of choreography to it, all which unwittingly revealed just how often they had practiced this rendition. All it really needed was Ravel’s Bolero in the background and it would have been bordering on a performance art piece in its own right.

    My M2 was now loaded, the light had changed, and my cup of tea was done. I took a reading with my Sekonic, wound on and shot the first two blank frames out of the way and I was ready to go. As I stood up and got ready to leave, handsome boy had finally just about got his sunglasses to be exactly as he wanted them. By looking at him posing in his screen, I could see exactly where his eyes were gazing and he was completely oblivious to my new position or recent movement. I came in close and fired off a shot of both of them from the side. He didn’t flinch, relentless in pursuit of the ultimate selfie for the day. The M2 is a quiet machine so I went for broke and stepped in closer still to test the minimum focus range of the Summaron at around eighty centimetres, literally less than meter away from the guy’s face almost exactly square on from him at ninety degrees. I knew that he would probably catch me in the act but decided that I wanted the shot and would just smile and leave the premises as planned upon being busted. Amazingly, I took the second shot and still neither of them cottoned on. I was the invisible man. Anybody who googles the exact name of this thread/topic (copy and paste) might find my photo or a way to my weekly photos of Bangkok and my blog on Thai photographic ramblings. I will not post URL's or names of websites here so as to remain within the rules and not over step the mark. I don't wish to spam. I went on my merry way. Never did hear them speak. They didn’t even see me leave despite my doubling back around and walking past their window on the way to the next stage of my photographic jaunt. They were just so wholly consumed by sharing with their legions of adoring devotees. Were Lennon still alive today, he might have said “ Life is what happens while you’re busy making other fans.”

    CCP

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