gobs Posted August 12, 2016 Author Share Posted August 12, 2016 href="/monthly_2016_08/57adeebf69466_Pentaxsmc501.7at8.jpg.c5fd1bc75584920a9d2b6827e6766192.jpg"> Asahi Pentax SMC M 50 f/1.7 Part 1 At f/1.7: At f/8: A bright glow and a low contrast can be noticed when the lens is full open on a dark background. Closed at f/2 the glow vanished and once at f/2.8 it fully disappears giving a sharp and contasty image. I don’t know from where that comes. My copy is clear and in perfect condition/order: no haze, no dust, nothing. I suspect (but don’t really know!) some internal reflections happen when the blades are full open (?)… More about this lens in the following post... Link to comment Share on other sites More sharing options...
gobs Posted August 12, 2016 Author Share Posted August 12, 2016 href="/monthly_2016_08/57adf1ceaed8d_PentaxsmcPortraitat2.8Crop.jpg.494c0a92815320ad6d254a81e83d2ab7.jpg"> Asahi Pentax SMC M 50 f/1.7 Part 2 I love my copy of this lens for its character especially for portraits when full open. It’s a dream lens: it gives a glow that smoothens and enlightens skin and traits when on a dark background. This characteristic doesn’t show so strongly when the background is clearer. And from f/2.8 and over sharpness and contrast are amazing… Yes, I love it for B&W film pics and digital color pics now as well… Look! Portrait of my favorite model at f/1.7: Same portrait at f/2.8: Crop at f/1.7: Crop at f/2.8: You see? While “charming” at f/1.7, this same lens is darn “descriptive” from f/2.8 and beyond. Not a modern “today” lens, isn’t it? PS: thanks a lot to my favorite model for her patience and kindness... Link to comment Share on other sites More sharing options...
gobs Posted August 12, 2016 Author Share Posted August 12, 2016 href="/monthly_2016_08/57adf5983800f_Summicronat2.JPG.0900617495c921342e063535edcd2e3f.JPG"> Leitz Summicron Rigid M 50 f/2 At f/2: At f/8: Casual pic at f/2: A great, great lens at all apertures for those who like THE "vintage" look. In B&W grays are somptuous but with moderate contrast. Digital colors as well are a bit "toned down". This lens shows some softness and glow when full open, but OOF backgrounds are superb. In my opinion, one of the best legacy lens for vintage B&W or color rendition… I get the same feeling in digital color as in B&W film: smooth and precise lens. I do love this 60 year old glass. One of my “best” lenses with its old companion (60 year old too!) my Elmar 90 f/4. IMHO a bit pricey though if just to play with around on a digital body... Link to comment Share on other sites More sharing options...
rhythmworx Posted October 12, 2016 Share Posted October 12, 2016 Just thought I'd add this here, you know already, but it's interesting. Link to comment Share on other sites More sharing options...
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