I've got a circa £1,000 external power supply for my DAC (Digital Analogue Converter). It provides better quality electricity to the DAC, even though the DAC has its own internal power supply and can be plugged straight into the mains. Does the external power supply make a difference, after all 240v AC is 240 volts, isn't it?
The difference is immediately audible and my friends and family can hear it too. The improved clarity reveals things in the recordings that you hadn't heard before. To paraphrase the great British audio component manufacturer Quad, I try to get the closest approach to the original sound.
Most of the audio 'black magic' that people talk about (better cables, power supplies, anti-vibration mountings, etc.) can work and cause a noticeable increase in sound quality but will probably not work if not matched carefully. For example, not all expensive cables might sound better on a particular system but almost anything should be better than twin-core bell wire.
Personally, I would try to get a Thai welding shop to create something because the fundamental requirements are basic. It needs to have a lot of mass and rigidity, i.e. thick steel. A filling inside a hollow stand is good, as has already been discussed. Sand is good for dampening vibrations, as the vibrations can be absorbed by the friction of the grains of sand moving against each other. Lead shot is denser and can provide a more substantial mass to minimise ringing and unwanted noise. A combination of the two would be possible, i.e. lead shot in the bottom half of the stand for improved mass (low c of g) and the top half filled with sand.
If I was getting stands commissioned, I would also think about how to route the speaker cable(s) inside the stand at the bottom and exiting at the top near the connectors for improved aesthetics.
Having created the rigid stand, you then have the choice of mounting the speakers on felt (or similar pads) to isolate them from the stands or bolting them rigidly to the stand. Bigger speakers, such as the OP alludes to, probably benefit from being connected rigidly. Isolation mounting typically gives a more natural sound. Experimentation is necessary to achieve the best sound for the listener but that's all part of the fun, as I expect the OP knows.
Floor mounting is the final touch. This is typically done with spikes. Spikes allow for effective coupling between the speaker and the floor and help to improve the clarity (not level!) of the bass, among other things. When placed at the corners of a stand or speaker they facilitate even distribution of vibrational energy, allowing it to dissipate from the cabinet into the ground. This "purging" of vibrations helps to control resonances that could otherwise interfere with sound clarity. Rubber pads would be better than nothing if spikes are unacceptable, e.g. the speakers are to be mounted on a nice polished wooden floor. Stainless steel is the preferred material for metal spikes.
Lastly, great sounding hi-fi is not about volume, it's about sound quality. Many listeners with loud systems need to have them loud to make their system produce some of the sounds they expect or wish to hear but these may be produced at the expense of excessive sound levels in the other frequencies. A high-quality system can sound excellent at moderate sound levels because all the right sounds are being produced, e.g. just like listening to an accoustic player or band - natural sounds, no amplification necessary.