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For those who built a house, was it cheaper than buying a pre-built one?
Yes, much cheaper & much better quality build. Though you do need to pay attention as the build. -
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Report Thai PM Visits Two London Venues to Boost Soft Power
I don't mean to be critical, but it looks like she is dressed like a little girl. Not very dignified and PM looking, in my humble opinion. -
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Crime Pattaya Nightclub Inspections Boost Tourist Confidence
When they would come into the Go-Go that I was managing just off walking Street to do these inspections the first thing they would say is lights on music down we might as well have closed for the night after that as we lost all the business it was in the bar and by the time they left it wasn't worth staying open. -
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Doctor shares tips for your kidneys health
We already have cold pressed EVOO, which as stated, weening ourselves off of. No Tops near, and as stated, very little available at Makro. Bertolli has never been accused of selling fake EVOO, or any fake oil, to my knowledge. Law suit ... again ... was about not being 'imported from Italy' Have a nice day, and feel free to put me on you ignore list. -
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Sebastião Salgado (1944-2025) - RIP
Sebastião Salgado was a renowned Brazilian photojournalist whose powerful black-and-white images captured the resilience and struggles of humanity, often focusing on social, environmental, and humanitarian issues. Initially trained as an economist, he transitioned to photography in the 1970s, gaining acclaim through agencies like Magnum for his various projects like Workers and Genesis, which highlight labor, migration, and the natural world. His empathetic approach avoided sensationalism, presenting subjects with dignity within their broader socio-economic contexts. In 2017, his worldwide exhibition, "The World Through His Eyes", was held at the Bangkok Art and Culture Centre (BACC) from February to April 2017. He was there on the opening night of the exhibition. It was a major retrospective of his work that showcased over 130 photographs, many in very large print format, including works from various projects he had done: Other Americas, Sahel, Workers, Migrations, and Genesis. It also featured iconic images like those from the Serra Pelada goldmine in Brazil and was supported by the Embassy of Brazil, drawing significant attention for its immersive display of Salgado’s global storytelling.
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