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Mike Connors, star of TV private eye series 'Mannix,' dead at 91


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Mike Connors, star of TV private eye series 'Mannix,' dead at 91

By Will Dunham

REUTERS

 

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Actor Mike Connors, star of the 1967 television series 'Mannix' arrives as a guest at the Golden Boot Awards in Beverly Hills, California August 12, 2006. REUTERS/Fred Prouser/File Photo

 

REUTERS - Mike Connors, the former college basketball player and B-movie actor who found stardom on television playing the title role in the popular, long-running private eye series "Mannix," died on Thursday in Los Angeles. He was 91.

 

Connors' death at a hospital from leukemia, which the Hollywood trade publication Variety reported he was diagnosed with a week ago, was confirmed to Reuters by the office of his talent agent, Frank Gilardi.

 

One of the highest-paid actors on American television at the time, Connors starred on "Mannix" for all eight seasons of its run on the CBS network, from 1967 to 1975.

 

The square-jawed actor played tough-as-nails private detective Joe Mannix and actress Gail Fisher co-starred as an independent investigator and his loyal secretary, Peggy, in a series that attracted a strong following.

 

The show was heavy on car chases, fistfights and bullets - and light on nuance - as Connors pursued the bad guys, although he later professed to a determination to plumb the emotional depths of his TV alter ego.

 

"I know that I kept saying I want this character to be as real as possible, to feel the emotions, the ups and the downs, to shed a tear, whatever it took that happens to the average human being," Connors told Fox News Channel in a 2000 interview.

 

"One of the reasons the show was very popular is because we tried to stay as close to reality as possible."

 

Connors was nominated for an Emmy four times for his work on "Mannix" and won a Golden Globe award in 1970 as best actor in a dramatic series. "Mannix" was twice nominated for an Emmy as best dramatic series.

 

Fisher, one of the few black women with a regular role on a U.S. television series at the time, became the first African American actress to win an Emmy.

 

Before landing his role in "Mannix," the actor appeared under the stage name of Touch Connors in some outrageous B movies, such as legendary Hollywood schlockmeister Roger Corman's "Swamp Women" (1956) and the similarly lurid "Voodoo Woman" (1957).

 

Connors, who was of Armenian descent, was born as Krekor Ohanian on Aug. 15, 1925, in Fresno, California. Tall and athletic, he attended UCLA on a basketball scholarship and was noticed by veteran Hollywood director William Wellman, who steered him into acting.

 

His first film appearance, using the Touch Connors credit, was in a secondary role in the Joan Crawford thriller "Sudden Fear" (1952). He managed similar supporting roles in movies like "Island in the Sky" (1953), starring John Wayne, and lead roles in lesser films. He changed his name to Mike Connors later in the 1950s.

 

His roles steadily improved and he secured a starring spot in the short-lived network TV cop series "Tightrope" in 1959 and prominent roles in such films as the war comedy "Situation Hopeless ... But Not Serious" (1965), starring Alec Guinness, before landing "Mannix."

 

Connors filed suit against CBS and Paramount in 2011, asserting that they failed to pay him millions of dollars in royalties. The case was later settled.

 

Connors married his wife, Mary Lou, in 1949. They had two children.

 

(Reporting by Will Dunham in Washington; Editing by Steve Gorman and Paul Tait)

 
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-- © Copyright Reuters 2017-01-27
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I met the man as we were fellow passengers on a US domestic flight decades ago. He was gracious, friendly and had no problem greeting so many people who stopped by to see him. Rest In Peace fellow traveler. 

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23 hours ago, webfact said:

 

"One of the reasons the show was very popular is because we tried to stay as close to reality as possible."

One of the reasons new shows have gone off of the rails. Loved the series must see if I can download an episode and relive the fact. 

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