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Gobs... WIS through B&W films and wet prints


gobs

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Hi all!

I’m new here, and, following Jimmy’s advice, I’m opening this thread.

I’m only a hobbyist, so nothing serious in the following posts. For me it’s all about fun, personnal pleasure and friendly sharing.

I enjoy shooting and processing B&W films and wet prints, and I must confess I’ve never used a digital camera.

Also I don’t own a film scanner, so what I’m going to post here will be scanned wet prints through a “normal” Epson office scanner.

Thanks in advance for looking.

For starter, some street pics around Tapae Gate in Chiang Mai (where I'm living).

I do like this spot for street photography. All the day around “something may happen”…

Bessa R3M, Elmar 90/4, Kodak Eastman Double X

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Bessa R3M, Elmar 90/4, Kodak Eastman Double X

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Fujica ST605N, Fujinon 43-75, Ilford HP5+

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Fujica ST605N, Fujinon 43-75, Ilford HP5+

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Cheers,

Ray

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Some little things I sometimes like to play around with rolleyes.gif

Leica M4-2, Summicron Rigid 50/2 (1957), Eastman Kodak Double X 135 film

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Leica M4-2, Elmar 90/4 (1958), Eastman Kodak Double X 135 film

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Leica M4-2, Elmar 90/4 (1958), Eastman Kodak Double X 135 film

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Asahi Pentax Spotmatic ll, ST 55/1.8, Ilford HP5+ 135 film

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Asahi Pentax Spotmatic ll, ST 55/1.8, Ilford HP5+ 135 film

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FB Warm Tone Foma paper for this last one

Cheers,

Ray

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  • 1 month later...

Part 3

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Done! tongue.png

These pics are just scanned wet prints with no editing. Different vintage cameras and lenses, but same 135 B&W films and papers all along...

Wet prints have been willingly processed a bit roughly to better give the "heavy" feel of this day.

The wole "story" is longer, so I did some cuts not to be too boring here. As well there is a dynamic rythm given by portrait and landscape pics alternating formats, but it's too difficult to make it working here.

Oh! And please, don't be too serious with that. It's just for fun here...

wink.png

Cheers,

Ray

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